OMEGA (2016) by José Sánchez-Montes & Gervasio Iglesias
“An album, two musical genres, three geniuses” “Omega” is the winner of the “Panorama” (national feature film) award at the
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THE STRATEGY OF SILENCE (LA ESTRATEGIA DEL SILENCIO) (2017) by Vicent Peris
“The most atrocious of bad things of bad people is the silence of good people” We are facing a necessary
Continue ReadingNO SÉ DECIR ADIÓS (2017) by Lino Escalera
“I believe that life has to be understood as it comes”
Continue ReadingTODO MUJER (2016) by Rafael Gordon
“I can die and all I feel is hunger” I would like to make an honesty and synthesis exercise with
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EMPATíA (2017) by Ed Antoja
“A story about animal respect told by a skeptic” Welcome to The Sermon on the Mount vegan version! One more
Continue ReadingTO LOVE (AMAR) (2017) by Esteban Crespo
“Love as if every day were the last one” A deep and intense film, feature-film debut of Madrid director Esteban
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THE COMMERCIAL FILM OF THE WEEK
THE BAR (EL BAR) (2017) by Álex de la Iglesia “Ordering a coffee can cost you a living” One afternoon
Continue ReadingUNCERTAIN GLORY (INCIERTA GLORIA) (2017) by Agustí Villaronga
“Nobody is what it seems and the passions explode” Is it really necessary to keep on producing movies about Spanish
Continue ReadingTHE BIG WAVE (LA GRAN OLA) (2017) by Fernando Arroyo
“This is the truth no one wants you to know”
Continue ReadingPSICONAUTAS, THE FORGOTTEN CHILDREN (PSICONAUTAS, LOS NIÑOS OLVIDADOS) (2016) by Alberto Vázquez & Pedro Rivero
“Give me money. I haven’t brought you here for free”
Continue ReadingCAPTURE (CAPTURAR) (LAS 1001 NOVIAS) (2017) by Fernando Merinero
“Alive film on putrid background”
Continue ReadingTHE COMMERCIAL FILM OF THE WEEK
THE INVISIBLE GUARDIAN (EL GUARDIÁN INVISIBLE) (2016) by Fernando González Molina “Basajaun protects us from the evil of the forest”
Continue ReadingRESCUE UNDER FIRE (ZONA HOSTIL) (2017) by Adolfo Martínez
“When nothing happens, until it happens”
Continue ReadingWRATH (IRA) (2016) by Jota Aronak
“Ira is an enjoyable movie both in his play of mirrors between fiction and non-fiction as in its thriller appearance”
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