CategoryFeatured
YOU SHALL NOT SLEEP (NO DORMIRÁS) (2018) by Gustavo Hernández
“Are you ready to cross the threshold?”
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THE LAWS OF THERMODYNAMICS (LAS LEYES DE LA TERMODINÁMICA) (2018) by Mateo Gil
“Less theory and more practice”
Continue ReadingCHAMPIONS (CAMPEONES) (2018) by Javier Fesser
“It’s difficult but not impossible” Let’s say first that, with the exception of the magnificent “Camino” I’m more interested in
Continue ReadingEL CLUB DE LOS BUENOS INFIELES (2017) by Luis Segura
“Men stuck in emotional adolescence”
Continue ReadingPAELLA TODAY (2017) by César Sabater
“Fun tribute to Valencia and its star dish: the authentic Valencian paella”
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100 DÍAS DE SOLEDAD (2017) by Gerardo Olivares & José Díaz
“Re-falling in love with Mother Nature”
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LOVING PABLO (2017) by Fernando Léon de Aranoa
“Silver or mess?” For all those who think that this film is a highly sought-after attempt to get on the
Continue ReadingSIN RODEOS (2017) by Santiago Segura
“I don’t want more dramas in my life, I want entertaining comedies”. Alaska.
Continue ReadingERREMENTARI: THE BLACKSMITH AND THE DEVIL (ERREMENTARI) (2017) by Paul Urkijo Alijo
“Diabolic Folklore” Sponsored and co-produced by Álex de la Iglesia, which already endorses this film written and directed by Paul
Continue ReadingSUNDAY’S ILLNESS (LA ENFERMEDAD DEL DOMINGO) (2018) by Ramón Salazar
“A secret, a reunion”
Continue ReadingSARA’S NOTEBOOK (EL CUADERNO DE SARA) (2018) by Norberto López Amado
“A trip that will change everything”
Continue ReadingMOST BEAUTIFUL ISLAND (2017) by Ana Asensio
“The cheap, many times, it’s better” In the step of bringing a script to the screen there are two possibilities:
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