THE AUGUST VIRGIN (LA VIRGEN DE AGOSTO) (2019) by Jonás Trueba
“Follow the yellow path”
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THE WEASELS’ TALE (EL CUENTO DE LAS COMADREJAS) (2019) by Juan José Campanella
“Should we deserve a second chance?”
Continue ReadingAFTER (2019) by Jenny Gage
“- Why do you read those romantic novels if you don’t believe in love? – Who told you that I
Continue ReadingNEVER LOOK AWAY (WERK OHNE AUTOR) (2018) by Florian Henckel von Donnersmarck
“- Youth delirium? It sounds even sympathetic. – Depression? We are happy people”
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WHAT DO YOU PLAY? (¿QUÉ TE JUEGAS?) (2019) by Inés de León
“Be careful what you bet” It was not difficult to overcome the level so low that they had established the
Continue ReadingTHE FALL OF THE AMERICAN EMPIRE (LA CHUTE DE L’EMPIRE AMÉRICAIN) (2018) by Denys Arcand
“After the decline…” Denys Arcand (“The Decline of the American Empire”, ” The Barbarian Invasions”) will not disappoint the fans
Continue ReadingBECOMING ASTRID (UNGA ASTRID) (2018) by Pernille Fischer Christensen
“How do you write so well about being a child when you have not been so long?”
Continue ReadingINVISIBLES (LES INVISIBLES) (2018) by Louis-Julien Petit
“Not only must to believe in dreams, but also in the way to reach them”
Continue ReadingTHE HEIRESSES (LAS HEREDERAS) (2018) by Marcelo Martinessi
“Speed up. I don’t want you to be afraid”
Continue ReadingBIRDS OF PASSAGE (PÁJAROS DE VERANO) (2018) by Ciro Guerra & Cristina Gallego
“- I don’t want to dream again. – Dreams only show the existence of the soul, don’t worry”
Continue ReadingMIRIAM LIES (MIRIAM MIENTE) (2018) by Natalia Cabral & Oriol Estrada
“I know the choreography. What happens is I don’t feel like dancing”
Continue ReadingPETRA (2018) by Jaime Rosales
“By Antonio Llorens” “Do you know why I´m here?” Jaime Rosales has a brilliant filmography. “Petra” is his latest film,
Continue ReadingDOWN A DARK HALL (2018) by Rodrigo Cortés
“Welcome to Blackwood, where lost girls find their way” The long-awaited new film by Rodrigo Cortés (“Contestant (Concursante)”, “Buried”, “Red
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BOSS (JEFE) (2018) by Sergio Barrejón
“The best blows are those that can not be seen coming”
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