THE COMMERCIAL FILM OF THE WEEK
IT (2017) by Andrés Muschietti “You’ll float too” Rating “It” (Andy Muschietti, 2017) is very complicated, because the final sensation
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THE DOUBLE LOVER (L’AMANT DOUBLE) (2017) by François Ozon
“Back to the darkest erotic thriller”
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THE COMMERCIAL FILM OF THE WEEK
VALERIAN AND THE CITY OF A THOUSAND PLANETS (2017) by Luc Besson “Where did you get those pieces of cloth?
Continue ReadingTHE FAMILY (DEMENTIA) (LA FAMILIA (DEMENTIA)) (2016) by Giovanna Ribes
“You are the only one with whom I can do what I want to do”
Continue ReadingPERSONAL AFFAIRS (OMOR SHAKHSIYA) (2016) by Maha Haj
“A very peculiar family with common problems”
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MY BLIND DATE WITH LIFE (MEIN BLIND DATE MIT DEM LEBEN) (2017) by Marc Rothemund
“Never lose sight of your dreams”
Continue ReadingUNITED STATES OF LOVE (ZJEDNOCZONE STANY MILOSCI) (2017) by Tomasz Wasilewski
“The Ruins of the Heart”
Continue ReadingA UNITED KINGDOM (2016) by Amma Asante
“The true story of a love that shook an empire”
Continue ReadingINSEPARABLES (2016) by Marcos Carnevale
“There is no good vibrations, no spark, no joy”
Continue ReadingIN THIS CORNER OF THE WORLD (SEKAI NO KATASUMINI) (2016) by Sunao Katabuchi
“Still losing the most precious, our love will endure” Japanese animation films have a special sensitivity to tell stories. Maybe
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THE COMMERCIAL FILM OF THE WEEK
SPIDER-MAN: HOMECOMING (2017) by Jon Watts “Aunt May points the way” When the Marvel universe began to spread and reap
Continue ReadingTOM OF FINLAND (2017) by Dome Karukoski
“Touko Valio died, but Tom of Finland will live forever”
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THEY CALL ME JEEG (LO CHIAMAVANO JEEG ROBOT) (2015) by Gabriele Mainetti
“What happens when an offender becomes a superhero?” When I was about to watch “They call me Jeeg” I had
Continue ReadingTHE HIGH SUN (ZVIZDAN) (2015) by Dalibor Matanic
“Three decades. Two nations. One Love”
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