NEVER LOOK AWAY (WERK OHNE AUTOR) (2018) by Florian Henckel von Donnersmarck
“- Youth delirium? It sounds even sympathetic. – Depression? We are happy people”
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WHAT DO YOU PLAY? (¿QUÉ TE JUEGAS?) (2019) by Inés de León
“Be careful what you bet” It was not difficult to overcome the level so low that they had established the
Continue ReadingBIRDS OF PASSAGE (PÁJAROS DE VERANO) (2018) by Ciro Guerra & Cristina Gallego
“- I don’t want to dream again. – Dreams only show the existence of the soul, don’t worry”
Continue ReadingMIRIAM LIES (MIRIAM MIENTE) (2018) by Natalia Cabral & Oriol Estrada
“I know the choreography. What happens is I don’t feel like dancing”
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SUNDAY’S ILLNESS (LA ENFERMEDAD DEL DOMINGO) (2018) by Ramón Salazar
“A secret, a reunion”
Continue ReadingSARA’S NOTEBOOK (EL CUADERNO DE SARA) (2018) by Norberto López Amado
“A trip that will change everything”
Continue ReadingLIFE AND NOTHING MORE (LA VIDA Y NADA MÁS) (2017) by Antonio Méndez Esparza
“The lightness of daily sadness” Recognised by the prizes won in San Sebastian, which won the Fipresci and the Signis
Continue ReadingALL THE MONEY IN THE WORLD (2017) by Ridley Scott
“Ridley Scott premieres one of his most correct works of recent years marred by scandals” Did you know that the
Continue ReadingFOXTROT (2017) by Samuel Maoz
“Great reflection on the grief of losing a loved one, called son”
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CELESTIAL CAMEL (2017) by Yuriy Feting
“In the boundless steppes of Kalmykia” Do you like traveling to the Russian steppe? It sure if isay in that
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MARROWBONE (2017) by Sergio G. Sánchez
“We are living in a grave” Fear is the son of trauma. And that is precisely where the most terrifying
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