THE WEASELS’ TALE (EL CUENTO DE LAS COMADREJAS) (2019) by Juan José Campanella
“Should we deserve a second chance?”
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SIN RODEOS (2017) by Santiago Segura
“I don’t want more dramas in my life, I want entertaining comedies”. Alaska.
Continue ReadingPERFECT STRANGERS (PERFECTOS DESCONOCIDOS) (2017) by Álex de la Iglesia
“We all have a secret life”
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IT (2017) by Andrés Muschietti “You’ll float too” Rating “It” (Andy Muschietti, 2017) is very complicated, because the final sensation
Continue ReadingINSEPARABLES (2016) by Marcos Carnevale
“There is no good vibrations, no spark, no joy”
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THE COMMERCIAL FILM OF THE WEEK
THE MUMMY (2017) by Alex Kurtzman “The evil in itself” We don’t have any illusions. In today’s mainstream cinema there
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SLEEPLESS (2017) by Baran bo Odar “A night to forget” The comparisons are hateful, we all know. But when the
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GHOST IN THE SHELL (2017) by Rupert Sanders “Don’t send a rabbit to kill a fox” The fiction genre is
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BEAUTY AND THE BEAST (2017) by Bill Condon “Think of the one thing you’ve always wanted. Find it in your
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KONG: SKULL ISLAND (2017) by Jordan Vogt-Roberts “Viet Kong” For some time now, the great majors have chosen to revive
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THE COMMERCIAL MOVIE OF THE WEEK
1898. LOS ÚLTIMOS DE FILIPINAS (2016) by Salvador Calvo “Defeated by oblivion” New remake of one of the most surrealist
Continue ReadingHEIDI (2015) by Alain Gsponer
“The girl who has excited generations” If there are films in which one asks herself: “Could it be even worse?”,
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GHOSTBUSTERS (2016) by Paul Feig “Who you gonna call?” For bigs, for smalls, for nostagics, for moderms, for fans, for
Continue ReadingESPECTRO (2013) by Alfonso Pineda Ulloa
“I felt a very strong attraction between him and me”
Continue ReadingSECRET IN THEIR EYES (2015) by Billy Ray
“The truth lies in the most unexpected places”
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